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Michel Nau |
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1 block of flats. 13 floors. 1000 employees. One month ago. Trade Union Tracts were |
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distributed. I took one. I've kept it: I am a collector of nonsenses. |
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Alone, I try to read it. Unreadable. We (who ?) are demanding. More of one thing. Less of |
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another (always the same). There exists a Trade Union style: that's where I place the worst |
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form of writing. |
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I have those employees in my mind. What is their claim to: they have chosen (social) |
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security. They have got (little by little) 3 rooms, 1 kitchen, 1 bathroom, 1 wife, a pair of sleepers, |
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1 dog, some brats, (solid) wood furniture, 1 (plated) gold watch, and insurance |
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for everything. |
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I forget: 1 fridge, 1 washing - machine, gold fish (not to forget their food), a radio-set, |
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(the washing-machine will have to be changed), and worries (have you thought about |
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Auguste's birthday?). And other choices to make; a colour telly (there's one at the parents |
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in law's, when you have watched that you can't do without it ), or the car (we're badly ser- |
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ved and moreover, when you have kids...). |
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They have got the tract, the woman says: if you get a rise, you'll paint up the bathroom again, |
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and I'll take advantage of that to change the kitchen curtains. And more, we'll have to choose |
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the colour, of the nets. |
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Well now, at lunch time, in his quiz programme, Lucien Jeunesse asked who invented the |
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endless screw.That question was worth 100 Francs. You don't know ?... I can't remember. I've |
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forgotten ... You think you'll have time ? |
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Even that, won't give them the means to find out. |
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-- You're a fine one ! |
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-- I'm sleeping. Even if that one is worth 100 Francs, too : I don't know what is a sinecure. |
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I am nearly at the end of this tract. I split my sides with laughing. The last paragraph roughly |
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says this : |
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EMPLOYERS EXPLOIT YOU BECAUSE THEY READ AND YOU DON'T. BUY BOOKS. FULL MARK, |
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UNDERLINED. |
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What to read? Why to read? (Oh! Yes, to be like the bosses). But when to read? |
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-- I, I read "l'Aurore". For ever. I can't do without it. |
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france-culture |
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1 immeuble. 13 étages. 1000 employés. Il y a 1 mois. On distribue 1 tract C.G.T. Je prends. |
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Je garde: je fais collection de niaiseries. |
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Seul, j'essaie de lire. Illisible. On (qui ?) revendique. Plus quelque chose. Moins quelque |
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autre chose (toujours). Il existe un style syndical: c'est là que je situe le degré zéro de |
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l'écriture. |
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Je songe aux employés. A quoi peuvent-ils prétendre: ils ont choisi la sécurité (sociale). Ils |
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ont (ça s'est fait petit à petit) 3 pièces, 1 cuisine, 1 salle de bains, 1 femme, des pantoufles, |
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1 chien, des marmots, des meubles en bois (massif), 1 montre en or (plaqué), et une |
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assurance pour le tout. |
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J'oublie: 1 frigidaire, 1 machine à laver, des poissons rouges (faudra penser aux graines), |
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la radio (faudra changer la machine à laver), et des soucis (t'as pensé à l'anniversaire |
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d'Auguste). Et d'autres choix à faire: télé couleur (y en a chez les beaux-parents, quand t'as |
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vu ça on peut plus s'en passer), ou la voiture (on est mal desservi, et puis quand on a des |
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gosses ...). |
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Ils ont le tract. La femme dit: si tu as une augmentation tu referas les peintures de la salle de |
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bains et j'en profiterai pour changer les rideaux de la cuisine. Et il faudra encore choisir la |
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couleur, le voilage. |
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-- Dis donc, Lucien Jeunesse a demandé à midi, qui a inventé la vis sans fin. C'est une question |
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à 100 francs. Tu sais pas?... Je me rappelle plus. J'ai oublié... Tu crois que t'auras le temps ? |
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Même ça, ne leur donnera pas le déclic. |
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--T'en as d' bonnes ! |
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--Je dors. Même si celle-là aussi est à 100 francs: je sais pas ce que c'est qu'une sinécure. |
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Je suis presque arrivé au bout du tract. Je me marre. Le dernier paragraphe dit en gros ceci : |
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LES PATRONS VOUS EXPLOITENT PARCE QU'ILS LISENT ET PAS VOUS. ACHETEZ DES LIVRES. |
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POINT. SOULIGNE. |
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Lire quoi? Lire pourquoi? (Ah ! oui, pour être comme les patrons). Mais lire quand ? |
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-- Moi je lis. Je lis " l'Aurore ". Depuis toujours. Je peux pas m'en passer. |
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For a subversive language. |
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Writing is not to write... Gravedigger for the imagination... Those who steal lighting conductors do not handle |
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lightning. |
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Middle class man : not using Zebra crossing, that's his "Western". A short measure of alcohol and he |
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finds his poetry. |
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Art does not elevate man, but helps him to find himself ... chinese. |
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Pour un langage subversif. |
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Ecrire ce n'est pas écrire... Fossoyeur de l'imaginaire... Les voleurs de paratonnerres ne manient pas la foudre. |
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Le bourgeois : traverser en dehors des clous c'est son western. Deux doigts d'alcool dans son régime, |
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la poésie lui appartient. |
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L'art n'élève pas l'homme, mais lui permet de se retrouver ... chinois. |
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2 people hit by a train. | |||
My paintings are injuries. Nothing compared to the suffering people. | |||
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2 personnes heurtées par un train. | |||
Mes peintures sont des blessures. Rien à côté des gens qui souffrent. | |||
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All rights reserved © Michel Nau ![]() |